We tell our own stories. We have our own tablas.
So what happens when something is missing? It's like the thing that's missing
might be the one thing I need in order to win. And why do I always need the one thing that's not there?
--Luz Maria Castillo
Authors are always trying to be original, trying to find new ways to tell a story. Mario Alberto Zambrano has succeeded. His debut novel, LOTERIA, is full of lush writing, vivid descriptions and nail-biting suspense.
Zambrano makes clever use of loteria cards to propel his story, and introduce us to our heroine, 11 year old Luz Maria, her family, friends and neighbors. Loteria cards are like bingo but with pictures, and instead of calling numbers one calls dichos --riddles--and only if you know the answer to the riddle do you know the identity of the picture called.
In LOTERIA, the story progresses with the turn of each card. Readers will be enchanted by the charming pictures and clever riddles, but stunned as true events unfold. I found myself immerse in the story. Turning pages faster and faster, fascinated by the cards, intrigued by the family dynamics, both eager and scared to know what really happened that fateful night. Zambrano captured my attention whole heartedly. He is truly an original, exciting new voice in Latino literature and definitely an author to watch.
BOOK SUMMARY: Something really bad happened at the Castillo home leaving a father in jail, a daughter in ICU and another a ward of the state. 11 year old Luz Maria is traumatized and not talking. Her counselor gives her a journal to jot down her thoughts. Her aunt Techa urges her to write anything so it could help her Papi and maybe the counselors can let her go. She also gives Luz a pack of loteria cards to keep her entertained. Luz spends her days in silence, dealing the cards and making houses with them. And while she won't talk, she does write letters to God in her journal because He too bore witness that tragic night.
Each turn of a loteria card triggers a memory for Luz. We meet the Castillos, a poor family trying to make it in Magnolia Park. Her father works at the plant, while her mother cleans houses. Luz is very much Daddy's Girl and shares his love of rancheras, while her 14 year old sister Estrella shares their mother's fashion sense. There are good times, lean times, and then come the bad times.
As much as the parents love, they fight even worse and they are a "family who hit." The girls hide during the fights, sworn to silence because such things are not spoken of inside or outside the home. The father becomes a mean drunk, the mother begins an affair and the girls are caught in the middle. The drunken rages and spousal abuse come more often until the mother finally runs away abandoning the home and leaving the girls with their father. Or did she? Estrella runs to the cops with her suspicions, while Luz stands ready to protect her father. When the police do come for him all hell breaks loose and the Castillo's house of cards falls down. And, it is not until Luz finally faces the truth of that night, that she can finally find her voice, and like the gallo in the loteria, cry out for peace.###
ABOUT THE AUTHOR: Mario Alberto Zambrano was a contemporary ballet dancer for 17 years, dancing in the Netherlands, Germany, Israel, Spain and Japan before returning to school to pursue a career in writing. He received a BA from the New School, where he was a Riggio Honors Fellow, and completed his MFA at the Iowa Writers' Workshop as an Iowa Arts Fellow. He is a recipient of the John C. Schupes Fellowship for Excellence in Fiction. LOTERIA is his first novel. To learn more about this new exciting Latino author, visit him at www.marioalbertozambrano.com.