|Publisher: Faith Words|
May 5, 2016
Grieve. But let your grief be your process, not your address.—Pastor Taylor
I should be on Prozac, but I’m on prayer instead.—Karen Valentin
Karen Valentin’s new book—THE MOTHER GOD MADE ME TO BE—is poignant, tearful, hopeful and empowering.
She married her best friend Gavin. He had doubts the day before the wedding but it could have been nerves. It wasn’t. Three years and two boys later, he asked for a divorce. It took two years for the divorce to become final, and during that time Karen drowned in heartache, loneliness and responsibility.
But with a strong faith in God and the help of family and friends–including Gavin’s mother and sisters—Karen was able to provide for her sons. She found a good job, and best of all, she found her voice and began singing and writing again.
It took a while, but Karen soon realized that she was not a victim of her ex’s choices, he was. She had two great, adventurous boys, family, friends, a good job, a new budding career and faith in a loving God. She had no room for hate.
She celebrated her divorce with a trapeze jump. Some called it celebrating her freedom, but Karen knew that she was celebrating her strength, her faith and her resolved to live life on her terms, and to be the best mother God made her to be.###
Check out our 2015 interview with Karen by clicking here.
BOOK SUMMARY: THE MOTHER GOD MADE BE TO BE is Karen Valentin's journey from Newlywed, to Mother of two, to a single mom trying to heal. With humor, honesty, and raw emotion, Karen tugs at the reader's heart with vivid details of the joys of motherhood, the struggles of romance, the disappointments of life and the restoration from a loving God.
ABOUT THE AUTHOR: Karen Valentin is an American born writer who is proud of her Puerto Rican heritage. Her books, ranging from narrative, to YA fiction and children's--have been published by Doubleday Religious, Judson, Harlequin and Just Us/Kensington. She is a graduate of Fordham University and taught English as a second language in France. An avid traveler who speaks English, Spanish and French, she resides in New York City with her two little boys. Visit her at www.karenvalentin.com.
April 4, 2016
Poetry is what in a poem makes you laugh, cry, prickle, be silent, makes your toe nails twinkle, makes you want to do this or that or nothing, makes you know that you are alone in the unknown world, that your bliss and suffering is forever shared and forever all your own.
― Dylan Thomas
Poetry is an act of peace. ―Pablo Neruda
April is Poetry Month and The Latina Book Club is celebrating with exciting and powerful poets that make us sit up and read and imagine. Hence, we have chosen a book of the month that makes us do all that.
OCELOCIHUATL by Xánath Caraza brings a lump to your throat, a tear to your eye and a sigh to your heart. It’s a beautiful, haunting bilingual poetry collection written in vibrant imagery about a Jaguar woman – a spirit guide, if you will – that prowls and growls at the land, at society, at herself.
Ocelocíhuatl straddles two worlds and struggles to unite those worlds and make a place for herself. But violence, pain and suffering – like the 43 missing Mexican students and the slain teen Michael Brown – make her sad, angry, and frustrated. So the Jaguar Woman roams across different lands, eager to heal, desperate for peace.
Poetry should make you feel, and readers will feel a whole range of emotions as they journey alongside the courageous Ocelocíhuatl. Readers will also fall in love with the cover for it too tells a pulsating tale of journeys taken, unity sought and healing found.#
ABOUT THE AUTHOR: Xánath Caraza is a traveler, educator, poet and short story writer. She teaches at the University of Missouri, Kansas City, and presents readings and workshops in Europe, Latin America, and the U.S. She is a 2015 International Book Award for Poetry winner and an Honorable Mention for Best Book of Poetry in Spanish winner. She is the author of CONJURO, and short story book LO QUE TRAE LA MAREA/ WHAT THE TIDE BRINGS by Mouthfeel Press. She writes the column, "US Latino Poets en Español". Caraza is a writer for La Bloga and for Revista Zona de Ocio, and teaches at the University of Missouri-Kansas City (UMKC). She is an advisory circle member of the Con Tinta literary organization. Visit her at http://xanathcaraza.webs.com/
READ POETRY. READ LATINO.
April 1, 2016
The artist must possess the courageous soul…The brave soul. The soul that dares and defies. – from THE AWAKENING by Kate Chopin
LATINA AUTHORS & THEIR MUSES is a celebration of creativity, the writer’s life, the passionate quest for spiritual and artistic freedom. – Mayra Calvani
|Twilight Times Books|
I admit it. I like to write in my books. I add notes on the margins. I underline, and if the quote is too long I fold the page for future reference. Some of my family and friends cringe when I do, but I love it. It’s a very definite way of knowing which books are “keepers” and LATINA AUTHORS & THEIR MUSES is a Keeper!
This book is a treasure trove of information. It’s like a literary marketplace and who’s who rolled into one. Mayra Calvani is to be commended for her hard work and vision in bringing 40 of everyone’s favorite Latina authors together for this marvelous collection; see list of participating authors at the end. You have established authors and debut authors; some that write in English while others write in English and Spanish; some that only write fiction and others who write romances, vampires and thrillers.
The best part is that this book will be loved by writers and readers alike.
Writers will love the “candor and insight” into these authors’ backgrounds, routines and writing style. They’ll have more how-to books to add to their TBR piles, and most importantly, will realize that writers are never truly alone. There are other writers just like them.
Readers will love the wealth of information on their favorite Latina authors from where they were born to their past books to “their” favorite authors to how to connect with them on the web. Plus, they will be able to discover new authors.
Another good thing about this book is that you can start anywhere. Pick any chapter. Start at the end and work forward or jump around as you choose your favorites or just start at the beginning. You will meet an amazing woman and writer in each chapter.
I won’t name names – you’ll have to read the book to learn who I mean! – but did you know some authors have unusual quirks? For example, some can only write their books in longhand; others write in windowless rooms; others can only write in busy hotspots; others only write at a specific time and place; and some cast their characters and make photo collages from photos taken from magazines.
Here are some of my favorite quotes from the book:
On writers block: There is no such thing as writer’s block… Writers who succeed, slog (through it); they don’t think they’re precious. They know better. – Alisa Lynn Valdes
On playing God: I had the lives of my characters at the tip of my fingers. I knew some of them had to go for the sake of the story. – Zoraida Cordova
On obsession: Novels demand so much from writers that you’d have to be crazy to give that much of your time and life to something you’re not obsessed with. – Carolina de Robertis
On writing: The story makes its own rules. Disappear and let the characters live. – Sandra Ramos O’Briant
On writing mottos: Author Toni Margarita Plummer’s favorite is: Write what should not be forgotten from Isabel Allende.
On doing something different: Writers write. Never be afraid to spread your wings and try something different. – Caridad Piñeiro.
On writing in solitude: Solitude forces you to confront yourself. This can be terrifying. –Esmeralda Santiago
LATINA AUTHORS & AND THEIR MUSES is a Keeper! I encourage all readers to let Mayra know which next group of 40 Latina authors she should look at for her new collection. Happy Reading and Happy Writing! ---mcf
For an excerpt from the book, click here.
Carolina De Robertis
Lyn Di Iorio
Maria Gabriela Madrid
Sandra Ramos O'Briant
Toni Margarita Plummer
Thelma T. Reyna
Eleanor Parker Sapia
Alisa Lynn Valdes
Diana Rodriguez Wallach
Carolina De Robertis
Lyn Di Iorio
Maria Gabriela Madrid
Sandra Ramos O'Briant
Toni Margarita Plummer
Thelma T. Reyna
Eleanor Parker Sapia
Alisa Lynn Valdes
Diana Rodriguez Wallach
ABOUT THE EDITOR: Award-winning author Mayra Calvani has penned over ten books for children and adults in genres ranging from picture books to nonfiction to paranormal fantasy novels. She’s had over 300 articles, short stories, interviews and reviews published in magazines such as The Writer, Writer's Journal and Bloomsbury Review, among others. A native of San Juan, Puerto Rico, she now resides in Brussels, Belgium. Connect with Mayra on the Web:
Newsletter signup: http://www.mayracalvani.com/signup-newsletter)
March 29, 2016
The month is not over yet and neither is the Celebration.
The Latina Book Club is proud to welcome Poet Laureate of the Altadena Library District,
Dr. Thelma T. Reyna, who urges us to celebrate Women year round not just one month a year.
As Women’s History Month comes to a close, it is easy for many of us to return to other issues that consume our attention daily. Women have been extolled throughout this special month of honoring, women’s “firsts” have been recognized and commemorated, and our collective desire to see women gain greater equity in all spheres of society has been duly expressed in various media throughout March.
But our awareness of women’s status in all nations, not just in ours, for the purpose of averting discrimination and expanding egalitarianism in all facets of existence must never be delimited to a certain slice of time. We need no boundaries--of time, place, emphasis--to further any worthy cause, and the cause of women’s advancement must be front and center alongside other vital issues, such as social justice.
So how do we maintain unwavering focus on the well-being and progress of half the world’s population, of half of all Americans? As with almost all important issues in civilization, it comes down to each of us as individuals: what we say, what we do, what we value. The counterbalance to “It takes a village” is “Each one, teach one.” What we do collectively is the product of what we do as individuals.
It Starts With “Me”
Each me--me the mother, me the sister, me the classroom teacher, me the neighbor, me the friend, me the spouse, me the boss. Gender is irrelevant regarding each of these “me”’s. What matters is the goal in each me of convincing each female in their lives that she is highly worthy and is never inferior to anyone because of her gender.
My mother and grandmother were my first me’s. They were poor and very hard-working, the daughter and wife of a migrant farm worker who never attended any school and was illiterate except for his ability to write his name. But these were strong women who survived and thrived in whatever limited fashion they could. Grandmother had no schooling at all, and my mother was a high school dropout, but they encouraged my education. They freed me from domestic duties so I could study. They found the funds for my field trips, and my second-hand clarinet, so I could be in the school band and travel throughout the state for performances. They insured my brothers picked me up in the evenings from school so I could stay late, working on the school newspaper or attending rehearsals.
When I was growing up in my ultra-conservative, small Texas town, Latina girls were generally sheltered, over-protected, but my mother and grandmother had faith in my dreams and insured that I had the freedom to be where I needed to be to rise academically. They publicly expressed pride in my achievements, and this encouraged me to continue striving. I was one child out of nine, with seven brothers. My mother and grandmother, both of whom raised me, could have focused all their support on just “the boys,” as was common in my community, in my Latino culture. But they realized the importance of their little girl’s dreams, so they nurtured me and freed me from cultural constraints. My success was their success, and their nurturance was my sustenance.
Luckily, my father fit that mold as well. As did my teachers, and brothers, and neighbors, uncles and aunts. They respected my need to study and achieve. They were glad that I was not getting married as a teenager, as many women of my generation did, dropping out of school to start a family. Implicitly, they were telling me that I could attain whatever goals I pursued, equally with the boys and men in our school, in the local college I attended. Thanks to all of them, I did.
Then It Comes Down to “Us”
If each of us resolves to treat each female in our lives as having no limits to what she can achieve, each of us will help dozens or hundreds of girls be engaged, productive members in society. The ripple effects will be exponential. In each home, each neighborhood, each town, each county and state, the female half of the population will be active participants in moving humanity forward.
Equality is a lie when half are unequal. The critical mass of motivated, energized girls and females taking their proverbial place at the table--as they debate laws in courtrooms, mend broken bodies in hospitals, design rocket ships, negotiate with world leaders on existential and practical issues, and show their competence in matters large and small--will remind us all that honoring and nurturing women is not something to be done in March. It is a necessity of daily life.#
ABOUT THE AUTHOR: Thelma T. Reyna is the national award-winning author of 4 books: a short story collection (The Heavens Weep for Us and Other Stories), 2 poetry chapbooks (Breath & Bone; and Hearts in Common); and a full-length collection of her poems, Rising, Falling, All of Us. She edited the Altadena Poetry Review: Anthology 2015, as well as the 2016 edition of the anthology. Reyna is Poet Laureate of the Altadena Library District. Visit her at www.thelmareyna.com.
March 28, 2016
The Latina Book Club continues its celebration of Women’s History Month.
Hence, we are pleased to welcome as our guest blogger Erika M. Martínez,
editor of an exciting and courageous new literary anthology by 25 Dominican women.
The book will be released on April 15. Watch for it!
Announcing the call for submissions for Daring to Write: Contemporary Narratives by Dominican Women in environments full of machismo was quite the challenge. When I attended literary events in the Dominican Republic men offered to contribute to the anthology, yet their writing often objectified women, depicting them as helpless victims or as possessing only sexual power. “This is going to be an important work. It should include men,” someone said to me once. Men assumed they could speak for women, but it wasn’t enough to have female characters in a story. I had to defend my decision to concentrate my work on women writers.
At the 2009 International Book Fair in Santo Domingo, I gave a presentation to young students and pointed out that the reasons for my work were everywhere. Women in the country earn less than their male counterparts and face double the unemployment rates. In an hour-long presentation, I couldn’t go into all of the reasons for the inequities or share the anecdotes I’d heard from the many women writers who struggled to carve out space and time for writing with the multiples roles they play in the household. Instead, I had the young audience look at the photographs covering the walls from floor to ceiling; we were in the pavilion for Dominican authors. It didn’t take the students long to realize they were mostly surrounded by portraits of men. I explained that there were many more Dominican women writing then those who were featured in the pavilion. I didn’t know what the criteria had been for the selection of portraits, but it couldn’t have been publication because I knew of several female writers with published books whose photographs were not displayed.
I also told the students about one of the classes I was auditing at the university, “Autores Dominicanos,” that the male professor teaching assigned forty-eight authors and only four of them were women. This was not because there was a lack of women authors. The list could have been divided in half between male and female.
I chose to focus on women because after my parents’ divorce, I was raised by my mother and other strong single women in my family who struggled to make ends meet working in factories. Throughout my life I’d longed to see in books the stories I’d heard as I cooked, sewed and cleaned alongside my mother, cousins and friends without a male presence. A counter-narrative to the ways in which women are portrayed in men’s writings was what I needed. I was interested in exploring what it means to be a Dominican woman in the United States as well as on the island.
The anthologies of Latino writers I’d read on my own focused on authors of Mexican-American, Cuban-American and Puerto Rican-American descent, yet the Dominican-American population was growing exponentially, becoming the fourth largest Latino community in the United States. I could not have been the only one wanting to see our lives reflected in literature.
Common threads appeared throughout the short stories and personal essays submitted. The contributors of Daring to Write delved into how machismo, men’s infidelities and domestic violence shaped the perceptions and development of young women. We can now hear from the voices of those who are being objectified speaking as full subjects of their own lives. Together, the writers in this anthology are reshaping the image of Dominican women and making them visible.#
ABOUT THE AUTHOR: Erika M. Martínez works with the National Writing Project in New Hampshire and is a staff member of their Invitational Summer Writing Institute. She has contributed to various anthologies, including Wise Latinas: Writers on Higher Education and Homelands: Women’s Journeys across Race, Place, and Time. She lives in Oakland, California. To learn more about Erika and DARING TO WRITE, click here.
|University of Georgia Press|
Daring to Write: Contemporary Narratives
by Dominican Women
Edited by Erika M. Martínez
Foreword by Julia Alvarez
With this new Latino literary collection Erika M. Martínez has brought together twenty-five engaging narratives written by Dominican women and women of Dominican descent living in the United States. The first volume of its kind, DARING TO WRITE offers readers a wide array of works on a range of topics, including love and family, identity and belonging, immigration and the meaning of home. The resonant voices in this compilation reveal experiences that have been largely invisible until now.
The volume opens with a foreword by Julia Alvarez and includes short stories, novel excerpts, memoirs, and personal essays and features work by established writers such as Angie Cruz and Nelly Rosario, alongside works by emerging writers. Narratives originally written in Spanish appear in English for the first time, translated by Achy Obejas. An important contribution to Latino/a studies, these writings will introduce readers to a new collection of rich literature.
Contributors: Marivell Contreras, Kersy Corporan, Angie Cruz, Rhina P. Espaillat, Delta Eusebio, Noris Eusebio-Pol, Yalitza Ferreras, Carolina González, Farah Hallal, Ángela Hernández, Juleyka Lantigua-Williams, Ana-Maurine Lara, Erika M. Martínez, Miriam Mejía, Riamny Méndez, Jeannette Miller, Sheilly Núñez, Jina Ortiz, Sofia Quintero, Dulce María Reyes Bonilla, Lissette Rojas, Nelly Rosario, Ludin Santana, Leonor Suarez, and Sherezada (Chiqui) Vicioso.
READ LATINO. CELEBRATE WOMEN.